The first, best, most accurate and only Castle fan site that allows you to interact with the Castle cast & crew

Forums

Who's in Chat? [Chat Now]

A A A

Please consider registering
guest

Log In Register

Register | Lost password?
Advanced Search:

— Forum Scope —



— Match —



— Forum Options —




Wildcard usage:
*  matches any number of characters    %  matches exactly one character

Minimum search word length is 4 characters - maximum search word length is 84 characters

Episode 1x10 Rewatch
June 11, 2011
5:20 pm
He-Touches-Things
Hard Core Castle Groupie
Forum Posts: 2349
Member Since:
April 3, 2010
Online

Observations after rewatching A Death in the Family

This was, and still is, one of my favorite episodes. Some lighthearted moments mixed with enough seriousness, and a now-obvious setup for the developments in the Johanna Beckett case.

After the opening we see that Rick has had an ongoing relationship with Dr. Murray, “the best forensic pathologist in the city”. He has been cultivating this to get the “details of death” that Lanie mentions in Flowers. We will see him again.

Martha is right about Rick’s digging into Kate’s past without her knowledge. It is obvious that until now, only Esposito has been aware of it. Rick does not yet realize how serious of a breach of trust this will become, and he tries to blow it off as no big deal. His mom doesn’t let him off that easily.

Ah, sunny summer weather in N.Y. That car should have STUNK! In Hell Hath no Fury, Rick says that has a very acute sense of smell. Minor continuity point that was dropped. [EDIT: Oops... That should have been One Man's Treasure from Season 2]

Alexis was cute, rushing in squealing about the Prom. But as her first date? And without meeting her dad already? Rick – “what kind of a father are you?”

We get several shots of Rick’s books laying around on the desks in the bullpen, and Ryan is holding a copy Flowers For Your Grave in the observation room. He has been a busy reader.

Beckett's Little Elephants are only briefly visible.

Rick still gets giddy when making up wild theories and story ideas.

When Rick asks Kate about reopening her mom’s case, and sees her reaction, he looks like a kid caught with his hand in the cookie jar. He tries to convince her that with his resources, they can make better progress, but he sees how sensitive she is to going back into it. There is a big “Oops” written on his face, but he doesn’t admit it out loud. Kate doesn’t pick up on it.

Rick’s wide web of contacts comes into useful play when he tells Kate “I know a guy”, then goes to see Sal. It was reminiscent of his meeting with Powell the jewel thief. “It was friggin’ hilarious”. When will Kate learn that Rick has friends all over, and they have valuable tidbits that can be called upon to help put the pieces together?

Rick was right about Will being “tall, dark and judgmental”, and about him trying to get back together with Kate. She seems to be more open with guys like Will than with Rick. They have come and gone, but Rick is still there. And is becoming more devoted to her.

Why was the meet with “Jimmy The Rat” done in a Suburban in a parking garage rather than in an FBI safe room?

“Cop Killer” bullets? That’s typical Hollywood fiction. Teflon coating does exist, but does not make them armor-piercing.

Rick fell asleep waiting for Alexis, reading Sweetheart by Chelsea Cain. From the real-world synopsis on Amazon, it sounds like it could be a Derek Storm novel.

After Alexis is home safe, and the case is solved, we see Dr. Murray giving Rick his discoveries and conclusions about Johanna’s case. It wasn’t a random murder, and it wasn’t isolated. It is raining outside, punctuated with low rolling thunder, to match the mood inside. Martha tells Rick that he must tell Kate regardless of the cost to him. We see that he will ultimately do the right thing, knowing what it will do to their partnership.

Was Will Sorenson the first to tell Kate “He likes you.”? And we see Kate start a long series of sidesteps and deflections to avoid what is becoming obvious to everyone around her. There is *something* going on between Rick & Kate, but she’s not ready to go there – not yet.

And Season One closes on us not knowing if or when they will work together again.

But we know now that the dance will continue…

In the land of Cheese, Trees & Ocean Breeze Banner-1.jpg
June 12, 2011
10:21 pm
skyisblue1
Hard Core Castle Groupie
Forum Posts: 654
Member Since:
April 12, 2010
Offline
2
0

The final episode of the first season with
the teleplay by AWM and story by AWM and Barry Shindel who’s involvement in the
show seemed to end here.  I’m not usually that interested in the
story of the week stuff but this one was a good one.  It is not of course the main point of the episode.  “A Death in the Family” is a great
title as the mafia is intricate to the story being told but, I think the main
family involved is Kate Beckett’s.

Robert Picardo was a good guest star as Dr
Death, if we could manage to have him appear in an episode with Agent Shaw this
old China Beach fan would be happy.

Interesting that Castle sees no problem in
asking Dr Death to look into the past and it is Martha who is aware of the
personnel damage it might cause. We start off with things fairly normal,
Beckett being empathetic, Castle playing the storyteller. Then “can I ask you a
question” and Beckett’s good mood is about to head south. I love the way she
physically slumps when be broaches the subject; He accepts her ultimatum but
can’t help pushing again.  You can
see the pain and hesitation creep over her face, the anguish. She had pushed it
away, whatever the cost. However it becomes clearly obvious how thin the layer
of veneer truly is that protects her from the pain waiting just below the
surface.

Beckett is able to compartmentalize well,
at least at this stage, and she is back in game mode. As is the show, as we
still have room for typical Castle humor. “Santa’s not real, we still love
opening his presents” and later we have the lovely moment with Beckett and
Montgomery discussing the Surgery addicted suspects latest procedure. Great
stuff.

Many things are reinforced in this episode,
Castle’s good connections, even with the mob. Along with Castle’s delight of
all things Beckett “I keep forgetting you read plays” and of course his
description of Sorenson “tall, brooding and judgmental” But Sorenson comes
through, helping with the case. Then “want me to watch the monkey” “that’s OK
the monkey comes with me” I love supportive Beckett.

Interesting that we have already had E
telling Castle and the audience how a professional hit makes a case that much
harder to solve. Our first hint that there are puzzle pieces floating around,
we just don’t where they are landing yet.

I have to make note of the Garbo shot
again, this time in the car, wonderful, give the DOP a gold star and a request
for more please.  The guest hit man
did well too, all covered up as he was. 
Loved Beckett and Castle explaining to E and Ryan how the meet had gone
so wrong and then the look of Kate’s face trying to take in what Montgomery was
relaying to her about Sorenson being shot.  Now at the hospital, Castle “that’s what makes you
extraordinary” just a beautiful scene, so well played.

I think it’s fitting that “A Death in the
Family”; the final episode of the season has a shot of Beckett alone at the
Murder board. Beckett the great cop, I like seeing that.

Significantly back at the station we have
the admission from Beckett to Montgomery that she could not have solved this
one without Castle, my how far we have come. And then –

Dr Death giving Castle his findings ,and after
being involved with the episode case Castle realizes what the information he is
being given may mean.  His fear at
moving forward and the possible repercussions, and once again it is Martha who
plays the strong hand.

We return to the hospital and a hint of
what Beckett may be like outside of the burdens of the job, a little lighter,
her voice, even the way she moves, a little sway.  I think she and Will can remain friends if he stays in town.
Kate is smiling, open. Then a little wary or the Castle standing before her,
“It’s about your mother” he says, and she steps back, physically try’s to move
away from what is coming. What a powerful ending. Thank God for season Two is
all I can say.

All in all this was a fabulous Ten-episode
season.  I sometimes see season one
called a half season and I really don’t see it that way.  AWM knew he had ten episodes, and in
those ten episodes he told the story he wanted to tell. I think the characters
and story telling would have reached the same point if he had had the luxury of
a full first twenty-two-episode season. Love this show.

 

 

June 14, 2011
8:53 am
ACF
Hard Core Castle Groupie
Forum Posts: 852
Member Since:
January 23, 2011
Offline
3
0

I loved this episode for so many different things -  it had all things Castle included.

-The opening had that same light yet dark feel – but this time is made me uneasy.  This time  I remember thinking something wasn't going to end well as if soemone had made a joke to lighten the mood but no one was laughing.

- Martha life coaching Castle on his involvement with Johanna Beckett's murder has echos of Beckett's last speech in LOST.  Private life is private.  He's already gone down the road, but I wonder if he already is having some doubts as ot the wisdom of that decision.  What carries him on is his natural optimism – but if I find something, I can help and that's a good thing, right?  I wonder if he would have started this if he had heard her comparison between her mom's case and and an alcoholic's booze.  Given her Dad's alcoholism, I think that may have put some brakes on his enthusiasm.  Unfortunately, he's already in deep enough into the case that he really can't turn back now.  At this point, he's in damage control mode, saying he's sorry, but not really for getting involved as much as sorry that it's not what she wants.  He still knocking around the outside of the armor looking for a way in. 

- Castle watches Beckett watch the victim's fiance ID the body.  Again, he is the one noticing that small moment when Beckett the tough cop reacts to that very emotional scene.  He cold read her pretty good in that first episode, but now, he's building his impressions of Beckett, and worming his way in even further.

- He admits to Santa not being real, but still liking the presents – another instance of covering up the real rainbows and unicorns Castle to get the glib line in?

**  The biggest thing after watching in hindsight – Dr. Perfect Guy who does pro bono work and volunteers for Doctors International and is a all-around great guy (that the boys think is too-good-to-be-true) – Dr. *JOSH* Leaman.

- Both Castle and Sorenson seem to think it's there job to tell Beckett about the other guy.  Lots of people seem to think that they need to tell Beckett about what some guy is feeling, (usually Castle).  She's not stupid, she knows, so it's interesting to me that so many people seem to feel the need to call her on this type of thing.

- Castle's first time up as Beckett's cheerleader – so far he's been helpful, but this time, without being invited, he's stepping into her emotional space to give support.  It makes the last scene in the same hallway that much harder to watch.  He's there for her, but then he betrayes her trust.

 - Which brings us to another rain scene – another crossroads.  Martha is tough on him but he already knows what he has to do.  It will mean losing her, losing something he regards as precious and that's a new feeling for him.

- That last scene – the "last chapter" as Castle puts it.  He's showing early on that he has the balls to do the difficult things.  It reminds me actually of "the talk" scene in the season 3 finale.  Both times, Castle could have taken the easy way out and done nothing but he instead chooses to confront and risk the wrath of Beckett for the sake of the truth.  Like I said before, this guy is no lightweight and only 10 episodes in, we've already seen it.

Life is a great big canvas.  Throw all the paint you can at it! ~Danny Kaye
June 23, 2011
8:50 pm
Nev827
Hard Core Castle Groupie
Forum Posts: 3279
Member Since:
January 5, 2010
Offline
4
0

I really like the double meaning behind the title, as one of you pointed out earlier, in this episode.  A Death in the Family, on its face, refers to the murder victim, but also to Johanna Beckett's death.  Very clever. 

One thing I really like about Stana's performance in that last scene at the hospital is Beckett's backing off as soon as Castle says he has information about her mom's case.  She backs off almost as if Castle just told her he had a contagious disease.  The whole subject is so repellant to her that her face changes almost instantaneously.  Great acting. 

"Make you a deal," she said. "I'll watch my ass, you watch the crowd." - Nikki Heat in Heat Wave Avatar by SKB
Forum Timezone: America/New_York

Most Users Ever Online: 587

Currently Online: Leftfield, He-Touches-Things, dmm, oznute, FillKat, Scott, mutha_nite, pluckysidekick, ApparitionAmerican, JayT, ldrmd6, kittycat, terilou8, Shena, CastlePedia
63 Guest(s)

Currently Browsing this Page:
1 Guest(s)

Top Posters:

dmcw: 3399

Nev827: 3279

Alie: 3131

Jamz: 2644

Leftfield: 2492

He-Touches-Things: 2346

KalliopePL: 1924

unniw: 1738

MissWanderer: 1640

sarah_darling: 1626

Member Stats:

Guest Posters: 685

Members: 8749

Moderators: 2

Admins: 1

Forum Stats:

Groups: 6

Forums: 112

Topics: 3550

Posts: 112232

Newest Members: tcardec, Castlemaniac, aninha21, bela516, nanno2024, rogue17, CastlePedia, deballou, Betty Prince, etienner75

Moderators: Admin (4769), addonchat (-1)

Administrators: Admin (4769)